« L’homme et son image » de La Fontaine : une proposition de lecture entre jeux de langue et jeux de miroirs.

Abstract

Our interpretation of the fable develops around the fundamental configuration of inversion, which proceeds the theme of the mirror and the rhetorical, rhythmical and enunciative contents of the poem. The analysis lies on the structure of the three principal compositional sequences and most of all regards semantic, thematic and enunciative levels.