L'immaginario del narcisismo a partire da La Fontaine

Abstract

This contribution intends to propose a reading of La Fontaine's fable L'homme et son image in an interdisciplinary key, through dialogue and the linking of different scientific contributions. Prominent among these are, in addition to literature, the psychoanalytic presuppositions and the history of art, here conceived in particular as the history of images in the context of a more general visual culture in dialectical relationship with the words of the literary text.