« L’insurrection qui vient » : de quelques manières contemporaines de rêver au Grand Soir

Abstract

Combining student demonstrations and workers' occupations, anti-authoritarian discourse and Leninist slogans, apology for individualism and communities, far from being a simple novelist subject, May 68, in all its contradictions, was the time of the emergence of a still active literary counter-culture: from the Comité invisible to Jean Rolin, numerous and very diverse writers maintained and renewed the flame of "revolutionary romanticism" as a literary genre. Just as much as our theoretical categories, it is our imagination of literature that 68 has revolutionized.