« Flash mob » de musique classique : transmédialité(s) et hommage cultiste

Abstract

New online art practises are leading to the recodification of works already known to the public, including major symphonic classics such as Beethoven's « Ninth Symphony ». The instant mobilization in a public space and which is then made available online, known as Flash Mob is a cult tribute to the classical music: the analysis of its double transmediality through the transposition of the theoretical model proposed by de Toro decrypts the various transformations that the work goes through, all the while drawing attention to the regenerative nature of this cultural recycling.