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Soundtrack: Tanguy Viel and music

Authors

  • Catherine Haman Université du Littoral Côte-d'Opale

DOI:

https://doi.org/10.15167/1824-7482/pbfrm2021.35.1959

Abstract

This article reflects on the part payed by music within the novel literary universe created by Tanguy Viel, by analyzing more precisely two of his works, Le Black Note and La Disparition de Jim Sullivan. However these two novels, very different in their technicity and their steps, offer a very similar vision of both their functions within a literary universe that we know to be very intermedial.

Published

2021-12-16

Versions

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Section

(S’)écouter, (s’)écrire : la mélomanie comme moteur du récit de soi