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Les déserts théâtraux du Midi pyrénéen français sous le Premier Empire

Authors

  • Philippe Bourdin
  • Cyril Triolaire

DOI:

https://doi.org/10.15167/1824-7482/pbfrm2022.1.2134

Abstract

The First Empire divides France into several theatrical districts, hoping to spread and control the performing arts. But the departments of the Pyrenean South are struggling to get regular programming. . Cities are too small, difficult to access; the theatres, poorly equipped, are often left to the private initiative of shareholders; as a result, the itinerant theatre companies risk bankruptcy. . Only the city of Perpignan, a garrison place, can host comedies and comic operas several months a year, and sometimes stars like Talma. The repertoire is largely contemporary. Unfortunately, the cost of seats keeps many potential spectators away, who prefer to turn to curiosity shows.

References

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Lauren R. CLAY, Stagestruck. The Business of Theater in Eighteenth-Century France and Its Colo-nies, Ithaca and London, Cornell University Press, 2013.

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Martine de ROUGEMONT, La vie théâtrale en France au XVIIIe siècle, Genève, Slatkine Reprints, 1996, première édition de 1988.

Michèle SAJOUS D’ORIA, Bleu et or. La scène et la salle en France au temps des Lumières, Paris, CNRS Éditions, 2007.

Charles Augustin SEWRIN, Les habitans des Landes, Paris, Barba, 1811.

Christine TISSEYRE, Le théâtre municipal de Perpignan. Un siècle de théâtre à Perpignan (1811-1914), Perpignan, Archives communales, 1995.

Cyril TRIOLAIRE, Le théâtre en province pendant le Consulat et l’Empire, Clermont-Ferrand, presses universitaires Blaise-Pascal, 2012.

Published

2023-01-27 — Updated on 2023-02-05

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